2000 Dynamic Forces Witchblade Millennium
Total Cards: 72
Rating: TBA
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Overview | Checklist | Errors / Variations | Rookies | Inserts and Related Sets | Comments | Packaging | Pricing | Sell Sheets / Ads | Trivia | Videos | Forum | External Links | Change Log | Contributors | Glossary | Gallery | Card Rankings | Collection Summary
2000 Dynamic Forces Witchblade Millennium
TweetCards |
1 | Sara Pezzini's relationship with Kenneth Iron | |||||||||||||||||||||||||||||
2 | Since issue one there were talks of the Witch | |||||||||||||||||||||||||||||
3 | Most story arcs in comics are typically 3-4 i | |||||||||||||||||||||||||||||
4 | M As the man who struck Sara's first partner | |||||||||||||||||||||||||||||
5 | A rumour that spread throughout the inner cir | |||||||||||||||||||||||||||||
6 | The connection between the Ancient Ones and S | |||||||||||||||||||||||||||||
7 | Sara crawled into bed with piece of mind that | |||||||||||||||||||||||||||||
8 | Delicate visions escape into the material wor | |||||||||||||||||||||||||||||
9 | Many other sordid rumors abound about the Wit | |||||||||||||||||||||||||||||
10 | As Nottingham cocks his head back, Sara may h | |||||||||||||||||||||||||||||
11 | Arriving in Rio was a surreal experience. I'd | |||||||||||||||||||||||||||||
12 | Trapped in Rio by the underground DNA mangler | |||||||||||||||||||||||||||||
13 | I can't even begin to describe the sense of a | |||||||||||||||||||||||||||||
14 | In times of doubts, the Witchblade abandons i | |||||||||||||||||||||||||||||
15 | Escaping the L42 was one thing, but I had no | |||||||||||||||||||||||||||||
16 | The experimentees had a full advantage since | |||||||||||||||||||||||||||||
17 | Like all the elements, the Witchblade has par | |||||||||||||||||||||||||||||
18 | Under Kenneth Irons' demand, Nottingham was g | |||||||||||||||||||||||||||||
19 | The Witchblade has several conditions and rul | |||||||||||||||||||||||||||||
20 | With the beauty of an angel, Sara Pezzini com | |||||||||||||||||||||||||||||
21 | Jae Lee of Hellshock fame clearly illustrates | |||||||||||||||||||||||||||||
22 | Jae Lee: Sara was about to head into her bedr | |||||||||||||||||||||||||||||
23 | Dorian: A few nights later, Nottingham follow | |||||||||||||||||||||||||||||
24 | John Watson shows off the mysticism of Sara P | |||||||||||||||||||||||||||||
25 | John Watson: Statuesque and nearly Amazonian | |||||||||||||||||||||||||||||
26 | John Watson: The deadly allure of women has b | |||||||||||||||||||||||||||||
27 | Joe Jusko: Might Sara allow herself to be tou | |||||||||||||||||||||||||||||
28 | Matt Busch: Like the exotic jaguar, Sara thri | |||||||||||||||||||||||||||||
29 | Matt Busch: While those who have encountered | |||||||||||||||||||||||||||||
30 | Matt Busch: A creature of the night and the l | |||||||||||||||||||||||||||||
31 | Matt Busch: Dating back centuries if not eons | |||||||||||||||||||||||||||||
32 | Sara, overcome with adrenaline couldn't keep | |||||||||||||||||||||||||||||
33 | With all the air sucked into her lungs and no | |||||||||||||||||||||||||||||
34 | Sara's heart raced, frantic. Too little time | |||||||||||||||||||||||||||||
35 | Sara might dwell on Ian Nottingham's duality | |||||||||||||||||||||||||||||
36 | At any given moment to demand Justice the Wit | |||||||||||||||||||||||||||||
37 | Perhaps Nottingham might have noticed at firs | |||||||||||||||||||||||||||||
38 | Sara took to the streets and while working, k | |||||||||||||||||||||||||||||
39 | Ian Nottingham left a note on the door of Sar | |||||||||||||||||||||||||||||
40 | Sara looked out her window before heading int | |||||||||||||||||||||||||||||
41 | Faced with the dilemma of how to meet her, No | |||||||||||||||||||||||||||||
42 | Should she scream? Should she make a break fo | |||||||||||||||||||||||||||||
43 | The paradox of Nottingham being a murderer an | |||||||||||||||||||||||||||||
44 | The Witchblade is one, but it touches all thr | |||||||||||||||||||||||||||||
45 | It was said that one night Sara attempted to | |||||||||||||||||||||||||||||
46 | Before Sara had a chance to even pull her wea | |||||||||||||||||||||||||||||
47 | Sara crawled into bed with piece of mind that | |||||||||||||||||||||||||||||
48 | In issue three we were first beginning to get | |||||||||||||||||||||||||||||
49 | Irons' ex-wife was the significance of a spec | |||||||||||||||||||||||||||||
50 | While there are rumors about Sara and Notting | |||||||||||||||||||||||||||||
51 | Kenneth Irons was based after British actor, | |||||||||||||||||||||||||||||
52 | Most super heroes tend to have elaborate cost | |||||||||||||||||||||||||||||
53 | Having the Witchblade is quite possibly one o | |||||||||||||||||||||||||||||
54 | Delicate visions escape into the material wor | |||||||||||||||||||||||||||||
55 | Sara Pezzini has had everything she ever love | |||||||||||||||||||||||||||||
56 | The Witchblade knows just what she needs to f | |||||||||||||||||||||||||||||
57 | Introspection is something that often overcom | |||||||||||||||||||||||||||||
58 | From an early age, Sara Pezzini's father had | |||||||||||||||||||||||||||||
59 | It's not always easy to be the outcast in a c | |||||||||||||||||||||||||||||
60 | While academics proved easy, socializing was | |||||||||||||||||||||||||||||
61 | It would be a few years until Sara learned th | |||||||||||||||||||||||||||||
62 | When she was a teenager, Sara took an interes | |||||||||||||||||||||||||||||
63 | Little did anyone know that Sara's father and | |||||||||||||||||||||||||||||
64 | What would determine ones destiny versus anot | |||||||||||||||||||||||||||||
65 | Did the Witchblade find Sara or did Sara find | |||||||||||||||||||||||||||||
66 | The voices that haunt Sara's nightmares tell | |||||||||||||||||||||||||||||
67 | Sara's nightmares are intertwined with images | |||||||||||||||||||||||||||||
68 | Staring at the latest victim who has been cru | |||||||||||||||||||||||||||||
69 | Looking upon yet another victims family mourn | |||||||||||||||||||||||||||||
70 | As Sara struggles with the pressures of her j | |||||||||||||||||||||||||||||
71 | The Witchblade is dangerously close to overco | |||||||||||||||||||||||||||||
72 | Checklist |