1994-95 21st Century Archives The Petty Girl
Total Cards: 100
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Overview | Checklist | Errors / Variations | Rookies | Inserts and Related Sets | Comments | Packaging | Pricing | Sell Sheets / Ads | Trivia | Videos | Forum | External Links | Change Log | Contributors | Glossary | Gallery | Card Rankings | Collection Summary
1994-95 21st Century Archives The Petty Girl
TweetCards |
1 | "I'm playing Easter Bunny for the kiddies, but no | |||||||||||||||||
2 | "Darling, what - kachoo - difference does age - k | |||||||||||||||||
3 | "A dry Martini and a package of pins!" | |||||||||||||||||
4 | "Oh, you would - would you!" | |||||||||||||||||
5 | "Sure C-A-L-L me back in T-E-N M-I-N-U-T-E-S" | |||||||||||||||||
6 | (Daughter Marjorie) | |||||||||||||||||
7 | "Thanks for the hospitality, Mr. Grover, but I do | |||||||||||||||||
8 | "He was calling from California - now will you st | |||||||||||||||||
9 | "I've been frightfully restless all day dear - br | |||||||||||||||||
10 | Petty's biggest account came in 1932 with Atlas/P | |||||||||||||||||
11 | "To 1937" | |||||||||||||||||
12 | "Come in - who is it?" | |||||||||||||||||
13 | "But I can't see you tomorrow, darling, I'm getti | |||||||||||||||||
14 | "They're very glamorous, Colonel, but where are t | |||||||||||||||||
15 | "A banker" - Well, bring him up - I've always wan | |||||||||||||||||
16 | "Are you all right, Mr. Jackson? If you are, I've | |||||||||||||||||
17 | "I want to report this phone out of order - I hav | |||||||||||||||||
18 | "Why, Mr. Hutton! You're painting with the wrong | |||||||||||||||||
19 | "You might as well turn the page - I'm not turnin | |||||||||||||||||
20 | "I forgot to buy him a present and I had to show | |||||||||||||||||
21 | "It all came about through a combination of thing | |||||||||||||||||
22 | "I just told the electric company where to head i | |||||||||||||||||
23 | "All I know, Mother, he must be nuts - he keeps s | |||||||||||||||||
24 | "He got married while I was out of town, but we'v | |||||||||||||||||
25 | "I'm returning your fraternity pin and the perfum | |||||||||||||||||
26 | "An advertising agency wants to know if we're lis | |||||||||||||||||
27 | "Well-l-l - evidently what I gave him last Christ | |||||||||||||||||
28 | "Talk about ingratitude! - he never says a word a | |||||||||||||||||
29 | "I still say it's her better half" | |||||||||||||||||
30 | "Please, harry, can't you understand? I'm married | |||||||||||||||||
31 | Miss Athlete | |||||||||||||||||
32 | Miss Elusive | |||||||||||||||||
33 | "There's something wrong with this phone... a man | |||||||||||||||||
34 | "I don't aim to die with my boots on, bub" | |||||||||||||||||
35 | Miss Spring Fever | |||||||||||||||||
36 | Miss Girl of Tomorrow | |||||||||||||||||
37 | "Independence day - and night, that's my motto, J | |||||||||||||||||
38 | Miss Curvaceous Angler | |||||||||||||||||
39 | A stocking model's smile is winning, But not as m | |||||||||||||||||
40 | "You don't have to worry darling. I've turned my | |||||||||||||||||
41 | "This suit is modest, warm to wear. Tell me, men, | |||||||||||||||||
42 | Painted in 1939 for Blue Jay Complasters, this un | |||||||||||||||||
43 | A girl who knows just when to run, can stop the a | |||||||||||||||||
44 | Another salute to George's great love - hunting. | |||||||||||||||||
45 | The Perils of Petty: George delivered this finish | |||||||||||||||||
46 | This image, as well as the images on May, June, a | |||||||||||||||||
47 | The 1955 calendars for May, June, and July did no | |||||||||||||||||
48 | Petty went into semi-retirement after the Esquire | |||||||||||||||||
49 | First reproduced here, this frenetic concept was | |||||||||||||||||
50 | In 1971, Petty was paid homage by Esquire in thei | |||||||||||||||||
51 | Come! Chicago World's Fair | |||||||||||||||||
52 | "I want to see Mr. Culbertson!" | |||||||||||||||||
53 | "No particular floor--just drive up and down." | |||||||||||||||||
54 | "I can't see why you're always mauling me." | |||||||||||||||||
55 | He's supposed to be an expert, but he's missing | |||||||||||||||||
56 | "Oh, how can I ever thank you." | |||||||||||||||||
57 | "You probably don't realize that nature has been | |||||||||||||||||
58 | "If your husband can't sleep, why don't you pull | |||||||||||||||||
59 | "But Reverend, what makes you think I couldn't | |||||||||||||||||
60 | "Oh, Mr. Feinberg, you and your pretty phrases." | |||||||||||||||||
61 | "Will that be all, sir?" | |||||||||||||||||
62 | "Union Depot? Mr. Smith wants to make a cancellat | |||||||||||||||||
63 | "It's no use, Philip. When you lost your yacht, s | |||||||||||||||||
64 | "He doesn't smoke or drink. I don't know what I'l | |||||||||||||||||
65 | "Will you surely help me be a good girl, next ti | |||||||||||||||||
66 | "How silly, darling--wealth means nothing to me. | |||||||||||||||||
67 | "What do you mean you've gone broke and I'm the o | |||||||||||||||||
68 | "I suppose this bum check is your idea of an Apri | |||||||||||||||||
69 | "I'm not worried about that. I've got a share-the | |||||||||||||||||
70 | "I've looked under the pillow and I still can't f | |||||||||||||||||
71 | "Now, none of your tricks, Everett." | |||||||||||||||||
72 | "We farmers' wives know what it is to slave over | |||||||||||||||||
73 | "So he pointed out--even if we are divorced, we'r | |||||||||||||||||
74 | "Remember me?" | |||||||||||||||||
75 | "It isn't that I have anything else on, Mrs. Van | |||||||||||||||||
76 | "My lawyer wants me to change the charge from des | |||||||||||||||||
77 | One of George's sauciest concepts: If it had not | |||||||||||||||||
78 | "Oh, General, I bet you tell that to all the spie | |||||||||||||||||
79 | The Petty Girl earned her stripes during World Wa | |||||||||||||||||
80 | Sometime in late 1944, George was commissioned to | |||||||||||||||||
81 | Besides the Ziegfeld Follies pieces, George obtai | |||||||||||||||||
82 | The majority of George's work for True must be co | |||||||||||||||||
83 | His personal take on the female figure often resu | |||||||||||||||||
84 | (cont.) Reader response was loudly negative and o | |||||||||||||||||
85 | Among Petty's very best, this beauty arrived at T | |||||||||||||||||
86 | Miss Self-Salesman: Arguably, the single most imp | |||||||||||||||||
87 | Among the stars: One of the great ones and gone, | |||||||||||||||||
88 | This was George's first major waste-not-want-not | |||||||||||||||||
89 | The ultimate example of a serious waste-not, want | |||||||||||||||||
90 | (cont.) Next, in two pieces--three, if you count | |||||||||||||||||
91 | A pivotal work in the evolution of the Petty Girl | |||||||||||||||||
92 | (cont.) Twice before, Petty had used ballet shoes | |||||||||||||||||
93 | Paintings after January 1946 give us a Petty Girl | |||||||||||||||||
94 | The Ridge Tool Company calendars are extremely ra | |||||||||||||||||
95 | These calendars were the first use of virtually n | |||||||||||||||||
96 | Esquire Cal. - 1956 | |||||||||||||||||
97 | (cont.) Sociologically, the images in this calend | |||||||||||||||||
98 | We have here, from the 1956 calendar, one of the | |||||||||||||||||
99 | In 1942, upon completion of a three-year art appr | |||||||||||||||||
100 | Esquire Cal. - 1956 |